Topics of Personal Importance

My son Jackson, who is in kindergarten, is sitting at the table right now practicing writing on a dry erase board. The sentence he just came up with using invented spelling:

I fa and pee.
(I fart and pee.)

Boys.

Student Writing Samples

Just stumbled across this and wanted to share. (It also doesn't hurt that by posting it here, I am sure to find it again when I need it.)

It's a large PDF of student writing samples across the grades. Not all genres are included, but it's still pretty awesome.

Spelling and Handwriting: Lessons from Best Practices

Spelling
The book mentions Words Their Way as an effective spelling/phonics/word study program that is rooted in the current research about spelling. I love this program and have used it for the few years that I have been in schools, and I do notice success for most of my students using it. One of the biggest challenges in implementing the program, however, is finding a structure that works while differentiating to each child. Whole class spelling lessons where everyone is learning the same words - WAY EASIER. For me - not necessarily the kids. It's been a challenge to find ways to organize both the time and the materials to implement the Words Their Way program, or even a modified version of it, to such a diverse group of learners - I have students who are Emergent Spellers all the way up through the Derivational Relations stage of spelling.

Handwriting
I was shocked to learn that there is apparently a controversy about whether to teach cursive first when we start teaching handwriting. I'm not sure I can back this opinion up with reasons, and it might stem entirely from longstanding tradition deep in my veins and early school memories; but I think that's an AWFUL idea!

But here's my attempt at reasons. I'm thinking about how Jackson reverses his lowercase B and D. I'm also thinking about the close relationship between writing and reading - and in those early grades, forming letters in handwriting is a kinesthetic way of learning about the letters they are later going to be reading. Books, websites, all the things we want them to be reading in the primary grades (and even in most of life) are in print, not cursive.

I do, however, think cursive should still be taught. I also happen to think keyboarding should be taught. I realize that fitting both, or even either, of these things into our extremely crowded curriculum and days seems damn near impossible. Then again, we did it.

On the other hand, writing back then was less about content, meaning, writing-as-in-putting-cohesive-thoughts-on-paper. My parents still think I'm talking about penmanship when I talk about teaching writing.

As you can see, I go back and forth on the realities of teaching handwriting in school. My sixth graders are begging me to teach them cursive. I promised them some practice pages, but do I actually have time in the school day to teach cursive the way good old Mrs. Hrehocik taught it to me back in second grade? Is showing them how to make one letter a day enough?

Ah, it's all so overwhelming sometimes.

Quick Thoughts on What Makes an Effective Sentence

I'm thinking about two things while I'm reading the chapter on building sentences as a writer.

The first is the six-word memoir idea that I keep seeing around. I know that some of these six word memoirs "technically" count as more than one sentence, but it's interesting to think about how much of a challenge it can be to pack content into only a few words, which is the goal of writing an effective sentence.

The second is the writing I had to endure during today's professional development from the Common Core math standards. Listen to this one:

"They bring two complementary abilities to bear on problems involving quantitative relationships: the ability to decontextualize - to abstract a given situation and represent it symbolically and manipulate the representing symbols as if they have a life of their own, without necessarily attending to their referents - and the ability to contextualize, to pause as needed during the manipulation process in order to probe into the referents for the symbols involved."

That sentence is a gem, isn't it? Anyone who wants to diagram it? ;)

Anyway, I liked this chapter as it made me think about how important it is to balance looking at the "big picture" - things like the writing process, or publishing pieces of writing; and also the parts that make up the whole - things like sentence fluency and variety. One thing I will say is I am going to try to focus on doing this in the context of their own writing. In the past, it seems like the kids haven't quite connected my grammar lessons to their own writing, and I think that's because I wasn't connecting it to it. (Although I will say, the entire Editing and Revising portion of the CMT is about editing and revising completely out of context - wouldn't it be better to show revision and editing on the piece they have to do for the prompt?)

Pretending I'm Not Scared

This disgusting creature is what I realized was crawling on the wall behind me in the middle of a math demonstration.

I was alerted to this fact by the sudden outburst of 29 children screeching and jumping out of their chairs.

Did I mention my illogical fear of creepy crawlies? Look, I've already killed spiders and various other disgusting things in the classroom that were well over my 3 millimeter threshold of fear. All while pretending to be calm, of course.

This thing? I'm estimating he was about 3 inches long. No way was I attempting a whack at this thing, climbing over the Smartboard. What if I missed, but knocked it off, only to have it land on my head? I'd be quickly joining the ranks of the screaming and jumping kids.

Thank heavens I teach sixth grade. One of my boys got up, looked at the screaming crew (mostly girls) and struck it down in one blow. The girls were impressed, which he enjoyed.

5 minutes later, I was finally able to resume the math lesson. After of course, a mini-lecture on how not to react when you see a bug. "Good grief guys, have you never seen a bug before? What is there to be scared of?"

Finding Mentor Texts at Unlikely Moments

Sunday, I wandered around the house with my phone, trying to get a bar of service so I could check the news. Finally, I managed to get some news stories to load.

And as I'm reading them trying to find out how long we're going to be stranded in darkness (Again!), I think, "Hey, this would be a great mentor text! Look at this interesting language! Descriptive words! Imagery! Similes!"

Thought I'd share.

This New York Times article.

"Not a light, mischievous form of frozen precipitation."

"...children whose costumes were obscured by winter coats as they lined up at the North Portico for a treat of cookies, M&Ms and dried fruit."

WSJ:

"snow-covered tree branches popped like firecrackers" (That is what it sounded like. Or gunfire. It was terrifying!)

Always nice to find good expository mentors!

Spaces, Places, & Tools for Learning

Where do we learn? How do we make space, in physicality and time, for the types of learning we'd like to include in our classroom?

Sitting here in Panera, basking in the glow of their WiFi, I'm thinking about these questions. Jackson is sitting across from me, typing messages to my sister. They're generally very long and filled with many consonants and few spaces, sprinkled with the occasional words he knows how to spell and a few that T9 creatively correct for him. What's he learning about writing? What's he learning about life in this unexpected week of no school? And no electricity? Certainly this week is fodder for writing ideas. The warmest AND snowiest October on record. Halloween cancelled. The third week this year with no power. How to cook pancakes on a griddle on a coffee table in the living room, where the generator powers an outlet.

So many outside influences on what goes on in the classroom. Snow days, hurricanes, illness, family emergencies and issues, and of course, the ever looming MANDATES. Some days, all requirements and mandates of and for teaching leave me stranded on the couch at midnight, actually feeling the crush of stress as I desperately try to find something utterly stupid on TV to take my mind off the 8,498,949,358 things I'm supposed to have done, half of which are yet unfinished.

So, I really enjoyed this week's readings. They were very reflective of things I'm experiencing in the classroom currently. How to balance the high stakes of testing with the rest of the world of writing? I read Rankie-Shelton and Fu's article about Nancy, a teacher who seemed to find something that worked for her. Bringing in both the writing workshop model and an intensive period of test preparation, her writers managed to navigate the world of high stakes writing tests while still building a love of writing. It seemed to me that her class was able to make it through those 6 weeks of test prep and the test itself as a result of the writing community they had built up over time during the writing workshop - the trust they had in each other to share their writing and critique it, their resolve in working together to build their crafts. I found the article inspiring and saved it on my hard drive. ;)

From there to more specific and immediate concerns. The chapter on revision and evaluation in Best Practices was one of the best yet. I love the POWER mnemonic for the writing process and am totally stealing that. I've been struggling lately to get my kids to revise their writing at all, and have been modeling revising and focusing on revising for certain qualities of writing. Even so, I still have kids who will reread their papers, look back and forth through the pages, serious expressions on their faces, deep in thought, and then look up and say, "Nope, nothing needs changing. I'm done."

This was of course, before I realized that I would need to devote much, much, much more time in writing class to the teaching of revising that I had originally planned. I liked how MacArthur pointed out that in teaching revising, we continue to teach the craft of writing and it will apply in future writing. Usually by the time we get to the revision stage, especially of assigned writing, we all just want to be done with it.

(Side note: I just got Georgia Heard's The Revision Toolbox and I really love it. (Check out some sample lessons from it here. It's a PDF.) We cracked geodes in class last week as part of an anchor lesson on "cracking open our writing" and the kids loved it. And I've used some of the activities in there and the kids really enjoyed them. They seem to be starting to help - and funnily enough, I see it more when they are drafting something than when they are revising it.

Anyway, I digress. So, those kids whose writing is perfect. I have a temptation to laugh when they say it because I'm so with them (as a non-planning, non-revising writer). I've been working on really breaking down the task of revision - starting with something so simple as "Reread it." So I liked the mention of think sheets for revising, with directions for the editor (whether its peer or self), and clear, explicit steps for how to revise. I think my kids are pretty good at making changes - but they have a really hard time finding what they should change and are constantly asking me. Of course, my goal is for them to be able to evaluate their own writing and decide what needs to be changed. I've been bringing in some criteria checklists for them after we read the book on Formative Assessment, and it seems to be helping somewhat. I think the evaluation questions they mention in the chapter will be helpful in directing them to a place that needs revision. I also love how peer response groups are used and while I constantly think about teaching my kids to revise each other's work, we haven't really gotten that deep into it yet. We're mostly at the peer-editing/proofreading stage of things.

Ok. So I just changed the order of two paragraphs in this blog, added a couple sentences and changed a word. Does that count as revising? Trying to practice what I preach. ;)

Accomplishment

It's amazing what a sense of accomplishment laminating gives me.

Thank you, Scotch Thermal Laminator, for getting me through this time of never feeling like I am ever, ever, ever, going to have everything done that needs to be done.

Assessing Student Writing

One of my big take-aways from Overmeyer's book, What Student Writing Teaches Us, is the use of student self-assessment. I sometimes wonder if we reduce student independence by over-using rubrics and criteria charts and "constructive feedback." I often find that once we finish a draft, students expect me to do all the revising and editing of their work. Moving students toward being able to look back over their work and assess their strengths and weaknesses is a big goal of mine and this book gave me some tools and ideas for doing so. I particularly like his criteria list for assessing writing - a tool he created after finding that the point-based rubric he had been using wasn't quite working as a tool for improving writing. Since we want our kids to focus on certain characteristics of writing rather than what points go where, this strikes me as a fantastic choice. I'm going to try it out with the drafts we're working on in class now and see how it goes.

Now onto what it is sticking in my craw after reading this. Grades. I hate grading writing, especially so early in the year when we've only barely scratched the surface of exploring the world of it. But in a short 9 weeks - especially the first one that includes at least one week of getting to know each other activities, I'm supposed to have enough grades to put together for a marking period grade. Overmeyer's suggestion that we can grade the trajectory toward a standard was enlightening - although it is at odds with a lot of the other information we tend to get as teachers about what grades should entail. Quite frankly, I don't even want to grade the first few pieces of writing - I'd prefer giving qualitative feedback in the form of identifying strengths to build on and areas to focus on. I have so many kids who have such low confidence in themselves as writers that it's tempting to just hand out As like they are candy so they can feel at least one success in writing. But then, if we move toward grading that trajectory, and including effort, grading becomes so much more subjective (which is already is, especially in writing). I mean, I know what Student A's best effort looks like, which might look nothing like Student B's best effort. But how do I justify that grade? And as Overmeyer points out, kids biggest complaint about grading is fairness. Is it fair?

Your thoughts?

The Writing Process & Drafting

I was thinking about this after our last few classes and some of the discussion about what the writing process and what exactly that means for each of us. Obviously, there's no cut and dry process that works for everyone. I've said before I'm not much of a planner. I'm also not much of a reviser, which makes my writing process particularly short. ;)

But I liked this blog from Two Writing Teachers about using drafts in the classroom and what they mean, plus how they tie in with the writing notebook. Getting my head wrapped around the idea that the writer's notebook is kind of like a pre-writing/idea-gathering place was a big paradigm shift for me. We do all our drafts on loose paper now. It's been working for us pretty well actually. I also like that it shows the kids that not every single thing we write must go through the prewriting/drafting/revising/editing machine. Sometimes we just write to get words on paper. Sometimes we just write to think. Sometimes we pour out some garbage cause it feels good.

Drafting on separate paper is also good for us since it allows us to cut things up/move them around as we begin to think about what we would like our final published products to look like - adding in illustrations with captions, changing the format, etc.

I also prefer "First Best Draft" to "Sloppy Copy."

Just some random thoughts. ;)

The Writing Conference as an Essential Part of Assessment

I have to admit I'm having such a hard time getting my kids to understand what conferences look like in the writing workshop. I still have the hapless hand-raisers who will sit there and stare into space while I'm conferring with another student. We've talked about it, and some days it works, but other days I just arrive at my first planned conference and before I know it, I have 5 or 6 hands in the air accompanied by the "zone-out" look - that look that tells me they are apparently going to do nothing else but raise their hand at me until I get there.

I'm wondering if having conferences at a specific location in our room - like the guided reading table - will change that. But I like the idea of moving around the room for conferences since they become learning experiences for those neighbors who listen in.

Anyway, as a result of this, I'm having a hard time building in the conference as assessment - with goal setting and record keeping because I feel like I'm bouncing all over the place.

Any suggestions for me?

While We're On that Topic

Motivating Boy Writers - a great blog. I found this great piece (it's lengthy) on teaching boy writers via their blog - it's filled with interesting ideas, including the importance of using visual prompts as a path into writing for boys.

BOOK REVIEW: Boy Writers

One of Ralph Fletcher's more academic works, this is definitely worth a read. He goes through all the statistics on boy writers - and time after time, girls are scoring significantly higher than boys on writing assessments. Calling this a "failure to thrive," he details potential reasons for this achievement gap and lays out practical ways of meeting the needs of our boy writers.

Choice

"I wanted to write a scary story but my teacher made me stop writing it. She said it might freak out the class." -4th grade boy, as quoted in Boy Writers (p. 41)

A way of raising the value of writing for all our writers, choice is essential in getting our male students to write. Fletcher goes on to point out that the testing frenzy has undermined the value of choice in writing for all students, but goes a step further and notes that boy's choices tend to be deterred even in classrooms that value student voice and choice in writing.

Violence

Monsters, aliens, hero stories, war stories, violence, drugs, military situations, injuries, hurting someone else, sports, dislike for school and/or teachers, four-wheelers, Captain Underpants, comics, physical challenges, destroying evil characters, video games. Just a few of the topics teachers mention their boys want to write about. All have a potential element of danger. In this post-Columbine world, I have to admit, I wondered how and when to draw the line in my own classroom.

Humor

I had two brothers and a son, so this chapter in the book comes as no surprise. Captain Underpants, Super Diaper Baby, Wimpy Kid, Walter the Farting Dog. The popularity of these books points to boys ever-lasting love affair with anything that has to do with butts and farts. Heaven knows my son thinks the funniest answer to any question is, "Buttcheek." Fletcher persuades his audience to allow boys humor in their writing, building it up as "voice," and taking things on a case-by-case basis as to when they go too far.

Handwriting

This is undeniably a huge part of boys too-often dislike of writing class. Handwriting can be such a laborious task for many of our boys that the physical act of getting letters on paper overrides their ability to actually focus on the content of their writing. I remember once reading that while we began teaching handwriting in kindergarten (or before!), boys are actually not physically ready for the fine motor act of handwriting until the age of 7 - much later than girls. This difference is apparent long after kindergarten - and I think as teachers we have a tendency to focus on the handwriting (after reading countless essays, it can get a little tricky.) rather than the content. Fletcher encourages teaching keyboarding and using technology to ease this, while continuing to focus on the strength's of our boys writing.

Language

"You suck." "That bike is nasty." Put-downs. Slang. All language commonly found in boys' writing. Fletcher encourages us to encourage their use of descriptive language and be flexible when allowing students to use slang in writing. I would say this goes to knowing who your audience is when writing someone.

One important part of this chapter. Fletcher notes that many of the boys he interviewed during the writing of the book strongly remembered criticism they received on their writing - even comments we may, as teachers, view as passing ones, or "constructive criticism." He points out the power of a positive comment, as a route for students continuing to build on their strengths. I would say this goes for all our students. It can be hard, at times, to find lots of positive in student writing samples when errors glare out at us - something in us hardwired to find the stuff that needs "fixed", perhaps. But a comment about a great lead, or incredible imagery, can take our boy writers a long way. Many students he interviewed remembered seemingly small positive comments given to them from past teachers - even years later.

Boy Writers is a thought-provoking book for anyone who has ever attempted to teach writing to a diverse class that includes boys with all different interests and abilities. He definitely gives us stuff to think about - something I think is maybe particularly interesting for elementary teachers - since so many of us are female.

Messiness

I needed this today.

Today was a messy day. It's comforting to know I'm not the only one.

Launching writing workshop this year has been my most challenging experience in all of the subjects. I find this somewhat ironic since I spent all of last year teaching writing (and not math, science, or social studies) and am having the biggest challenge with it this year. I can't quite seem to hit my stride. Of course, it's different every year with different groups of kids. I have a lot of reluctant (putting it nicely) writers and it's been really hit or miss on whether we seem to get any sparks ignited for writing on any given day.

Ideas

I think I like this idea. A lot. Maybe enough to make this my course final project plan.

Grading Secrets

Throwing Ideas Around

I can't really respond to Ladson-Billings 2006 article, "A Letter to Our Next President." It's too depressing.

I couldn't pick just one article. (How do you pick one without at least reading some of it? Then I have to keep going.) Lots of stuff in there. I have to marinate some of those ideas a little. Spoken language and writing. Voice. Rules. All strike me as a way of breaking down - or not building in the first place - barriers between students and writing.

Also, its making me think of all my students that frequently converse during academic group work in Spanish. I'm learning about their parallel literate lives. It's fascinating. I'm trying to figure out how to open that door, so to speak.

On a side note about dialect and voice and "proper" English, we should probably also include technological communication. It's a form of speaking/voice that's very different, with so many acronyms and slangs and vocabulary words - and it often trickles into "academic writing."

They remind me of something I was thinking about a while back.

Ok, have to think on it a little and wait for it. Maybe this is me planning.

Confession of a Harried Non-Planner

I do not plan. Ok, maybe that's not true, entirely. But I do not plan on paper. I do not use graphic organizers. I do not outline or take notes before writing essays. Even written lesson planning is not my strong suit. Although I have been known to make a list or two.

I guess I would say I plan in my head, although I'm not sure that's any different than just thinking about stuff. I mentioned before that blogging suits me because I just start writing. But I pretty much do that with any writing. 2, 5, 25, 50 page papers - I just started writing. Research papers - I do loads and loads of reading. But no real planning. Then I wait for it to come. It. The impetus to write.

So, the chapter I picked this week from Best Practices is "Best Practices in Teaching Planning." I figured I might learn a thing or two.

First, I laughed out loud when the author wrote about the kid who says he can't write because he "doesn't know where the pencil sharpener is." I have a text-to-classroom connection for that one. ;)

I was particularly interested in the section on teaching strategies for planning a report. I was struck by how broken down and explicit it was. I was also struck by the discussion of the inquiry and prewriting phases of planning, and how lengthy they were! The idea of spending a writing class in a wheelchair in order to better write about someone with a disability? I can hardly imagine doing something like that in class, but it makes so much sense! If we want our kids to write with all their senses, about life's experiences and mistakes and wonderment, we have to give them time and space to explore the world. I've done the occasional "Let's go outside and write sensory details" thing, but what this chapter makes me think is that what I really need to do in my writing time is slow down.

I'm feeling rushed, and so I'm rushing them. I need to have this and that in the portfolios, and student work on the walls, and it's the beginning of the year so I have none of that, so HURRY UP AND WRITE SOMETHING KIDS!

Seriously, that's what I've been doing to them. Funny to have read this chapter tonight because today was probably the best writing session we've had yet. (Granted it was a short writing period.) A couple things were different. One, I decided that we needed to start writing with a meeting on the carpet. Then, we had a general conversation about writing and what we were thinking about it. We're supposed to write these "Life Plans," so that's my writing theme for the next couple weeks, but I'm trying to put a spin on it a little. We talked about how they've written them in the past. (They do this every year.)

Then I read them this quote, and asked them to talk about it:

"If you don't know where you're from, you'll have a hard time saying where you're going." ~Wendell Barry

And finally, I read them George Ella Lyon's poem, Where I'm From. (Brian is probably cringing reading this, but I had never even heard of this poem until he mentioned how overused it was in some schools.) We talked about it, and about how parts of it made no sense to us and how we thought that was probably because it was something that was so personal to the author that we wouldn't necessarily get every detail but could get the overall vibe.

Then we all spent about 10 minutes on the carpet writing/sketching in our notebooks under the heading, "Where I'm From." I wrote too - the first time I've done it in front of them. It seemed pretty powerful, I have to say. I just haven't been able to get my #$%% together enough to do it. And then we shared, and laughed over our common memories of sibling torture and parental threats and tasty food and mischievous plots. And what I'm totally loving about that is that A, everyone was actually writing; B, everyone seemed pretty into it; C, it felt like a community of writers for the first time, with sharing and getting inspiration of each other; and D, this list is not only going to help us write this Copy/Change poem, but become a repository of ideas to go back to for writing.

Of course, at the time I was thinking, "Good God, that's all we got through today? We're so behind." But now, I'm thinking this was time very well spent.

A Bridge to Best Practices

I've been so frustrated these past few weeks reading Best Practices in Writing Instruction. I feel like there such a gaping hole between what our curriculum requires of us and what we know to be best practices. Don't get me wrong, there are some things I like about our curriculum. It encourages the process of writing. Which is awesome. It encourages the analysis of various pieces of writing before trying it out on our own, and uses lots of modeling and the gradual release of responsibility. But it can be incredibly prescriptive and confining for my young writers. Our focus is on the five paragraph essay - for three grading periods out of the year. Then we move to the five paragraph persuasive essay for the final marking period. I have found it near impossible to find mentor texts outside of our curriculum book that we can use that follow the structure of what I'm trying to teach. Who writes 5 paragraph essays? Seriously, if you can find an awesome, poignant 5 paragraph intro-body-conclusion style essay in a magazine, newspaper, blog, etc - send it my way. 4, 6, or 7 paragraphs would work too.

Anyway, I think the big missing piece for me is the motivation piece. Almost my entire class detests writing. So first on my agenda, or maybe I should say next to about 43583 other things on my agenda, is getting my kids to enjoy writing. I think that comes with choice and voice in writing, which is hard to do within the 5-paragraph essay structure.

So I finally ordered Joann Portalupi and Ralph Fletcher's Nonfiction Craft Lessons. I think I should have ordered this book a long time ago. (Thank you Amazon!) I love love love love this book. It has copies of mentor texts in the back that I think I could weave into our curriculum, and sample mini-lessons that actually show the language used during the mini-lessons - something I really need right now. So many of the lessons completely align with our curriculum but have a little more zazz in them. (Did you know that Urban Dictionary actually includes the word zazz?)

I'm excited!

Rubric to Assess a Rubric

I find this comical.

Puzzling Through

So I have this one student who I've been puzzling over. He's a very kind, thoughtful, bright and articulate young man who has a learning disability. In conversations with him, he's got lots to say, and has a lot of knowledge on various things. But when it comes time for him to write, he struggles so much with literacy, that writing is sheer torture for him. I've been letting him copy sentences from the book he's pretending to read for the past week during writing workshop - something he started doing on his own. I figured it couldn't hurt while I figured out what in God's name I was going to do to help him. It's also allowed him to save face in class, something that is all-important to my sixth graders.

So I'm looking today at speech-to-text software as something we might use for him in writing. That counts as writing, right? I think it would be good for him to be able to verbalize something and then see it in front of him in writing, and I think it would free him from the constraints he puts on himself as far as spelling goes. Thoughts?

One More Thought: Changing The Writing Process

One more thought about that 21st century article. It makes the point that technology changes the writing process. This is striking to me as I'm talking about the writing process this week. I admit I always feel disingenuous talking about this because it's one of those times I'm teaching the kids to do something I don't do.

I very rarely "prewrite." Usually I just start typing.

So I like the idea of looking at blogging as prewriting/publishing. But that sort of crushes our traditional notion of the writing process, doesn't it then.

We're supposed to, when we grade writing and include it in the portfolio, represent "all stages of the writing process," which is supposed to mean prewriting, outlines/graphic organizers, first draft, revised copy, and then final draft. It's a good point to make that if we're doing all our writing online and revising within a Word document, the draft/revising/editing part of the process looks very different and leaves a different artifact trail. Not that I really have to worry about this right now since I do not have enough computers in my room to have every kid working through the writing process on a computer.

That's something to think about.

On a kind of side note, I got this year's class blog up (www.kidblog.com - great classroom tool) and running. The kids loved blogging last year and I'm excited to have a whole year to work on it with my kids (as opposed to 3 months last year.)

Unleashing the Power of Writing in the 21st Century

The first thing that Writing in the 21st Century makes me wonder is if we should ban writing so that kids might want to try it as a form of resistance. Kidding. Well, partly. I love the idea of writing as a subversive activity. (Although I can't fully agree with the article's ideas about reading being receptive and controlling while writing is about resistance. Plenty of reading is subversive as well.)

Last year when I told my parents I was teaching writing, they groaned and asked me questions about cursive. The idea of writing in school meant, to them, penmanship. I had to explain that I meant writing-as-in-getting-thoughts-onto-paper. The fact that composition is a "labor" is one that's still relevant today - I have kids in my class for who the physical act of making words on paper is so painful that it completely stunts the flow of ideas. I immediately turn to technology for kids like that. It can be such an unleashing force.

The historical narrative of the teaching of writing is fascinating, its movement through the progressive era into the current theory of process writing and writer's workshop. How unfortunate that standardized testing came along and ruined it just when it was getting good. I wonder sometimes how many potential authors dreams are destroyed by the soul-crushing agony of having to learn the five-paragraph expository essay - and nothing else - for years.

And then computers and the Internet - with all its possibilities for subversion - rises as a platform for writing just as tests are narrowing it in the classroom. I love how the article describes writing as almost its own entity yearning for freedom from boundaries and authority. Outside of schools, outside of tests, outside of five-paragraph essays (can you tell I hate them?) - people are writing. Arising from the need for communication and expression. Less talking, maybe, at Model Railroading clubs or Shriner meetings or all those other social clubs where people used to get together. (And wear weird clothes.) Now, people can group up on the Internet, and writing becomes the primary modality for communicating.

I cannot say enough times how completely awesome the story about the kids who used the Internet as a platform to get 30,000 people to screw around with the AP test is.

And then the million dollar question - how can we channel all this for a purpose more worthy? (Can we?) Students who know how to compose and organize and know how to use the audience provided by the Internet? How can we help them connect those skills toward the big issues, toward making the world a better place?

I don't know the answer to that and it's something I've thought about a lot. I think "The Internet" is still figuring that out, in a way. The election, in 2008 - Obama's campaign brilliantly used technology to connect and move people. But it fizzled out, or at least it seems that way. How to keep people going? Organizing on the internet seems to destroy the hierarchies traditional to most organizations, at least at the grassroots level. Do organizations and issue-based action require a leader?

I think of that group Anonymous, which publicly states that there's not really any hierarchy of leadership, and they manage to organize and take action. They're quite the enigma though, so I'm not quite sure how they work. But they fascinate me.

Really what will probably happen is that the kids will figure out the answers to these questions first.

Signs of Success

My kids are practically fighting over who gets to be in our classroom library. We must be doing something right.

Sweet Summer

Spare Time? My June Reading List

What am I going to do with all this spare time?

Although I suspect it will be in shorter supply that it now seems, I just ordered about nine million books from Amazon. (My favorite store in the world)

Two guilty pleasures to start: the 11th Sookie Stackhouse book and The Girl Who Kicked the Hornet's Nest.

A handful of books to satisfy my YA lit obsession: The Absolutely True Diary of a Part-Time Indian, The Unnameables, As Long as the River Flows, Jacqueline Woodson's Miracle's Boys, Gardiner's Stone Fox, Theodore Taylor's The Cay, Bruchac's The Arrow over the Door and Geronimo, and Where the Red Fern Grows.

Picture books: Birmingham, 1963; Wilfrid Gordon McDonald Partridge; Freedom Summer; Bad News for Outlaws: The Remarkable Life of Bass Reeves; Growing Up in Coal Country; and Middle Passage: White Ships/Black Cargo.

My "Grown-Up" Choices: Invisible Man, My Own Country: A Doctor's Story, The Legacy of a Freedom School and Angela Johnson's The First Part Last.

And the professional ones: A Broken Flute: The Native Experience in Books for Children (been meaning to get this one forever!), Nancy Atwell's Naming the World: A Year of Poems and Lessons, Still Learning to Read: Teaching Students in Grades 3-6, and The Next Step in Guided Reading: Focused Assessments and Targeted Lessons.

I can't wait for the UPS man. I'm like a kid on Christmas morning when I hear that truck in my driveway.

Beginnings, Endings, and Farewells

For me, it's the hardest part of teaching.

We had a frenzied Friday, with sixth grade graduation at 10 a.m. Handing out yearbooks and collecting the straggler's money took up until about 9:30. Somewhere around 9:55, as I was frantically stuffing report cards that the computer refused to print until the last minute into envelopes, we realized we were missing one of the student's promotion certificates.

"Go ask Mrs. D to print another! (Since my printer has been broken for the last month.) Then sprint to the offices and get it signed! Ok, how fast can you all line up in alphabetical order by last name! We're late!" (In case you're wondering, not very fast.)

Ok, we made it. Somebody tells me, "Ms. M, you have to open the ceremony." (What! Didn't anyone else think about my paralyzing fear of public speaking!)

It runs smoothly and I get too caught up in being proud of the students sitting in the front rows to think about all the other people behind them. I make stuff up and steal lines from the 45 graduations I've been to in the past few years.

Hugs, photographs, goodbyes. Packing up the room with the handful of students who stuck around after graduation. Dealing with last minute nonsense of students deciding to sign each other's shirts with inappropriate content. Carrying stuff out to my car.

And then the drive home, and the music, and the more than 30 seconds to sit down makes me realize how sad I am, and the tears fall. What will become of them all? And I'm surprised that I'm sad. I've only been with these kids for 3 months. But I guess if you spend most of your waking moments with people. They're so funny and smart and unsure of themselves and yet confident. They drove me nuts and made me laugh and gave me a few gray hairs. And then, they're just off. And for most, if not all of them, I'll never know what comes next.

"In teaching you cannot see the fruit of a day's work.

It is invisible and remains so, maybe for twenty years."

~Jacques Barzun

Reliable Sources.

Wiki has some policies that I find odd.

For one, it strikes me as rather ironic that the Wiki, a pinnacle of Web 2.0 itself, doesn't allow reputable blogs on which published articles have been based.

Have you looked at their reliable sources page?

Primary sources are essentially out. (Strange. I get the no original research stuff (to a point), but there are a lot of instances where secondary sources are crap.)

"Questionable sources are those with a poor reputation for fact-checking."

Seems like that's quite a lot of our media sources?

Around The Campfire

Been interested in school design and how it influences learning for some time. Here's a shot of part of our local school's library, much of it a remnant of its inception as an "open school."

First T-Ball Game

There is probably nothing funnier than watching a bunch of 5-year-olds try to play T-ball for the first time. Highlights:
"No, no, run the other way!"
"You missed a base!"
3 runners on 3rd base, all at the same time.
"Throw it to first!" "What's first?"

"But the ball has dirt on it."

Things We Cannot Forget

Where to Begin?

Sometimes I wonder if there isn't so much nonsense going on in the education world that I just had to take a break from writing about it. It's hard to write about it, coming into it with my perspective, without the writing building the ire.

I saw the other day that Pearson (the for-profit education giant) and the Gates Foundation are teaming up to design (and of course, sell) curricula based on the new Common Core standards. The Gates Foundation (a nonprofit, one of the "reformers" crowd) has given a $3 million grant to develop this curriculum, which of course makes me wonder why in God's name the biggest education company in the world needs any outside money to invest in what will end up being another huge money-maker for them.

I can't help but imagine what I could do with 3 million dollars!

"More research is needed."

"We have more information now than we can use, and less knowledge and understanding than we need. Indeed, we seem to collect information because we have the ability to do so, but we are so busy collecting it that we haven't devised means of using it. The true measure of any society is not what it knows but what it does with what it knows."

~Warren Bennis

Who Will Be Left?

An excellent quote from a post over at Bridging Differences:

If we drive out those who are motivated by social norms, who will teach? How can we hope to have a stable education profession if we lose those who want to make education their career knowing full well that they will never get rich?

Read the whole thing.

Time

I can't believe how long ago already it was that I last wrote. Amazing how the hustle and bustle takes you away from things you love, but simply can't find time for.

My son is almost 5 now, starting kindergarten in the fall. I'm still long-term subbing it in the hopes of finding something permanent for the upcoming school year. I've got my students blogging over at KidBlog, which is working out fabulously, once we worked past a few minor kinks. The gravity of some of their writing is pretty awe-inspiring.

And ah, sweet spring has returned.

Boys.

18 boys. 18 boys and 10 girls. Sometimes I think those boys were on a mission to drive me insane. Other times, I thanked god (and my mom) for my two brothers. (Who had long ago accustomed me to the symphony of farts, burps, and other inane humor that is so attractive to the 10-ish year old boy.)

I gave my fifth graders cool, empty notebooks at the beginning of the year. Wanting to distinguish them from our writing class notebooks (which were to be for class notes and such), I called them their writer's journals. They were for whatever they wanted - to explore themselves as writers. My only rule was really that it needed to have writing in it. (Illustrations to accompany writing, yes; all illustration and no writing, no.)

The motivation behind this was really two-fold. One, I needed something for my early finishers to work on that didn't involve much work on my part. Two, I wanted room to try to fit in the kinds of writing that weren't in the plan for the year (as a long-term sub, I was trying to follow the plan for the most part).

At various times throughout the year, these notebooks got my kids in some degree of trouble. Reading Ralph Fletcher's Boy Writers now, it's all coming screeching back through my memory with the kind of clarity that only ever seems to appear in retrospect. One boy's (very incredible) comic, depicting some kind of violence and/or guns; albeit with animal characters and a legit plotline. Mostly stories and comics that involved violence.

It's trickier than I thought, figuring out ways to help my boy writers grow without them getting sent to the guidance counselor.